Breakfast dainties — A Closer Reading
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The catalog record for Breakfast dainties — A Closer Reading provides practical reading context through 13,131 words, 58 min estimated reading time, and 2 detected text sections.
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Project Gutenberg metadata also associates the work with “Cooking,” connecting these edition facts with the source record’s subject description.
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ead was not introduced into Rome until five hundred and fifty years after its foundation. Pliny informs us that the Romans learned this, with many other improvements, during the war with Perseus, King of Macedon. The armies, on their return, brought Grecian bakers with them into Italy, who were called _pistores_, from their ancient practice of bruising the grain in mortars.
The Greeks ascribed the invention of bread-making to Pan; but the Chaldeans and Egyptians were acquainted with it at a still more remote period. In the paintings discovered in the tombs of Egypt the various processes used by them in bread-making are distinctly represented.
Bread from wheat was first made in China, 2000 B.C.
An extensive variety of substances is used in making bread; the roots, shoots, bark, flowers, fruits, and seeds of trees and plants have been, and are still, made into bread by semi-civilized races. In Iceland codfish is dried and beaten to a powder, and made into bread.
Bread is universally admitted to be a matter deserving the serious consideration of all good housewives. It is no longer a luxury, as in olden times, but a positive necessity; upon it depends the health of all mankind. It is, therefore, highly important that its ingredients should be of the very best quality. At no time is this question more seriously to be considered than when changing the food of infants from liquids to solid food.
Bakers' bread cannot always be relied upon. One never knows to what extent the flour has been mixed with brands of flour made from musty or sprouted wheat, as the baker can make what appears to be good bread from these by mixing them with what is known as garlic flour, which is a grade of flour ground with garlic, the effect being to conceal other unpleasant odors.
Their flour is often stored in damp cellars, where, under the influence of heat that is not strong enough to expel moisture, fermentation takes place in it, exactly as it does in bread-making, except on a smaller scale.
Any flour containing too much moisture is likely to "heat," or sour, and flour of the best quality, when placed in damp, stuffy cellars, where it will absorb moisture, is likely to do the same thing. The yeast used by many bakers is deserving the attention of the Health Department. Damaged hops are often used, which, when boiled too long, impart their obnoxious flavor to the yeast, and to the bread made from it.
If what is known as "head yeast" be allowed to ferment too far--as is often the case--it will sour the stock yeast; or if the fermentation be too feeble, the result in either case will be unhealthy bread.
Potatoes used in making "potato ferment" are often of a very inferior quality, and impart their rankness to the bread. When bread is sold by weight an excess of water is introduced to brands of dry flour, which absorb more than others, and the result is heavy, dark, pasty bread, which is often sour.
By the producer of inferior bread these little items are not taken into consideration. The bread has been made, and it _must_ be sold; and the unsuspecting housewife who buys bread from certain bakers because they sell it a few cents less per loaf than the price asked by firms who will _not_ jeopardize their reputations, is endangering the health of her family.
I particularly warn my readers against bakers seeking customers by cutting rates; they cannot supply good bread at low rates without using inferior flour.
Thomas J. Murrey, former caterer of the Astor House in New York, opens Breakfast Dainties with a verse praising breakfast above other meals, then immediately addresses the reader's habit of rushing to a table of “food long cooked.” His tone is brisk and corrective, blending practical counsel with a professional's insistence on freshness. The book's structure—moving from fruits and beverages through breads, eggs, potatoes, and a long “Miscellaneous” chapter—reflects a caterer's orderly mind. Murrey's voice is confident, occasionally wry, and grounded in the kitchen: he tells us exactly how to test eggs, why potatoes should be boiled in their skins, and what happens when a potato has “a bone in it.”
A Caterer's Precision in Diction
Murrey's language is that of a working professional. He uses precise quantities—“a gill of white wine,” “half a teaspoonful of flour”—and gives exact sequences: “drain; season; dip; roll; fry.” His verbs are active and unambiguous: “trim,” “remove,” “pour,” “simmer.” When describing chicken croquettes, he warns to “handle them carefully,” a small but telling detail that reveals his experience with delicate preparations. He also notes that he found his recipe “more satisfactory without” nutmeg, “especially among my Philadelphia patrons,” grounding his advice in real client feedback. This specificity avoids generic cookbook language and gives the instructions a trustworthy, hands-on feel.
Dialogue with the Reader's Habits
Murrey frequently addresses the reader's assumed behavior, creating a kind of one-sided dialogue. He scolds the “late riser” who bolts a hurried breakfast, and warns that lumpy or watery potatoes “escape proper mastication” and cause “serious derangement of the system.” He is especially firm about the aged and dyspeptic: “Under no circumstances allow” them to eat unmashed potatoes. This direct, almost parental tone extends to his treatment of ingredients. He insists that potatoes boiled with skins on are “twice as rich in potassa salts” as peeled ones, and that a half-cooked potato—the Irish peasant's favorite—is “a more indigestible thing cannot well be imagined.” His advice is not merely instructional; it is corrective, aimed at changing ingrained kitchen habits.
Structure as a Reflection of Morning Priorities
The book's organization mirrors the sequence of a well-managed breakfast. Fruits and beverages come first, then breads and toast, then eggs and omelets, then potatoes, and finally a catch-all chapter of “Miscellaneous Breakfast Dishes.” This is not an arbitrary list: Murrey is guiding the cook from the simplest preparations (baked apples, boiled coffee) to more elaborate dishes like chicken croquettes or filet of sole with sauce tartare. Within each section, he often moves from basic to advanced: for potatoes, he starts with boiled, then moves to Lyonnaise, au cochon, au gratin, and sautéed. The progression suggests that a cook might master the fundamentals before attempting the richer, more complex preparations. The table of contents itself, with its careful indentation and grouping, functions as a visual syllabus for the breakfast cook.
Recurring Details: Fat, Heat, and Texture
Throughout the excerpts, Murrey returns to a few technical concerns: the proper use of fat, the control of heat, and the importance of texture. He specifies “plenty of hot fat” for frying artichokes, “boiling fat” for croquettes, and “a quick oven” for browning potatoes au gratin. He distinguishes between sautéing (browning in a pan) and deep frying, and between simmering and boiling. Texture is a constant theme: potatoes must be “mealy,” croquettes “delicate brown,” and the sauce for artichokes “thick.” He even advises placing boiled potatoes in the oven to let “all surplus moisture escape,” a detail that shows his concern for the final mouthfeel. These recurring technical notes give the book a cohesive, expert voice, even across disparate recipes.
Murrey's Breakfast Dainties is best read as a period document of professional kitchen practice, not as a modern health or efficiency guide. The recipes assume a well-stocked larder and a cook willing to follow precise steps. Readers interested in culinary history will find the book a valuable record of late-nineteenth-century American breakfast habits, from the prominence of oysters and sweetbreads to the careful distinctions between types of toast. Approach the text with an eye for Murrey's authoritative, sometimes scolding voice, and you will discover a surprisingly vivid portrait of a bygone kitchen.
The rain kept pace with Murrey’s precise words about croquettes, that patient, steady beat of detail. His insistence on fresh cream made me crave something colder, simpler. I set the book aside and found a neighbor’s old pamphlet on freezing custards. That afternoon, the two sat together on the sill, one warm, one chill, like equal parts of a single morning. Secrets of Making Frozen Desserts at Home: 150 Tested Recipes Easier, More Economical, More Delicious — Reading Companion.
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