Bohemian San Francisco Its restaurants and their most famous recipes—The elegant art of dining. — Reading Companion

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Edwords, Clarence E. (Clarence Edgar), 1856-1941 Project Gutenberg 2005 Not confirmed
Cooking; Hotels -- California -- San Francisco Readers of public-domain and historical texts
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Words 43,432
Reading time 189 min
Text sections 4

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A 1914 guide to San Francisco's restaurants and recipes, blending dining advice with observations on the city's bohemian culture, particularly the Italian influence on Telegraph Hill.
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Nevada was opened in Pine street between Montgomery and Kearny. This place became noted for its roast beef and also for its corned beef and cabbage, which was said to be of most excellent flavor.

Most famous of all the old oyster houses was Mannings, at the corner of Pine and Webb streets. He specialized in oysters and many of his dishes have survived to the present day. It is said that the style now called "Oysters Kirkpatrick," is but a variant of Manning's "Oyster Salt Roast."

At the corner of California and Sansome streets, where now stands the Bank of California, was the Tehama House, one of the most famous of the city's early hostelries, whose restaurant was famed for its excellence. The Tehama House was the rendezvous of army and navy officers and high state officials. Lieutenant John Derby, of the United States Army, one of the most widely known western authors of that day, made it his headquarters. Derby wrote under the names of "John Phoenix," and "Squibob."

Perini's, in Post street between Grant avenue and Stockton, specialized in pastes and veal risotto, and was much patronized by uptown men.

The original Marchand began business in a little room in Dupont street, between Jackson and Washington, which district at that time had not been given over to the Chinese, and he cooked over a charcoal brazier, in his window, in view of passing people who were attracted by the novelty and retained by the good cooking. With the extension of his fame he found his room too small and he rented a cottage at Bush and Dupont street, but his business grew so rapidly that he was compelled to move to more commodious quarters at Post and Dupont and later to a much larger place at Geary and Stockton, where he enjoyed good patronage until the fire destroyed his place. There is now a restaurant in Geary street near Mason which has on its windows in very small letters "Michael, formerly of," and then in bold lettering, "Marchands." But Michael has neither the art nor the viands that made Marchands famous, and he is content to say that his most famous dish is tripe--just plain, plebeian tripe.

Christian Good, at Washington and Kearny, Big John, at Merchant street between Montgomery and Sansome, Marshall's Chop House, in the old Center Market, and Johnson's Oyster House, in a basement at Clay and Leidesdorff streets, were all noted places and much patronized, the latter laying the foundation of one of San Francisco's "First Families." Martin's was much patronized by the Old Comstock crowd, and this was the favorite dining place of the late William C. Ralston.

One of the most famous restaurants of the early '70s was the Mint, in Commercial street, between Montgomery and Kearny, where the present restaurant of the same name is located. It was noted for its Southern cooking and was the favorite resort of W. W. Foote and other prominent Southerners. The kitchen was presided over by old Billy Jackson, an old-time Southern darkey, who made a specialty of fried chicken, cream gravy, and corn fritters.

Birth of the French Restaurant

French impression came strongly about this time, and the Poodle Dog, of Paris, had its prototype at Bush and Dupont streets. This was one of the earliest of the type known as "French Restaurants," and numerous convivial parties of men and women found its private rooms convenient for rendezvous. Old Pierre of later days, who was found dead out on the Colma road some two years after the fire of 1906, was a waiter at the Poodle Dog when it started, and by saving his tips and making good investments he was able to open a similar restaurant at Stockton and Market, which he called the Pup. The Pup was famous for its frogs' legs a la poulette. In this venture Pierre had a partner, to whom he sold out a few years later and then he opened the Tortoni in O'Farrell street, which became one of the most famous of the pre-fire restaurants, its table d'hote dinners being considered the best in the city. When Claus Spreckels built the tall Spreckels building Pierre and his partner opened the Call restaurant in the top stories. With the fire both of the restaurants went out of existence, and the old proprietor of the Poodle Dog having died, Pierre and a partner named Pon bought the place, and for a year or so after the fire it was one of the best French restaurants in the city. After Pierre's untimely death the restaurant was merged with Bergez and Frank's, and is now in Bush street above Kearny.

Clarence E. Edwords opens his 1914 guide with a defiant note: "No apologies are offered for this book." He positions himself as an independent judge of San Francisco's dining scene, claiming his opinions are "unbiased by favor or compensation." The book is as much a cultural portrait as a restaurant directory, with a strong focus on the Italian quarter of Telegraph Hill, where Edwords finds the roots of the city's bohemian spirit. He describes wine-making in basements, the profusion of children, and the centrality of cooking to Italian family life, quoting a girl who says her mother "knows nothing but cooking and going to church."

The Bohemian Ethos and Telegraph Hill

Edwords explicitly ties San Francisco's bohemian character to its Latin quarter. He writes that on Telegraph Hill one discovers "the root of Bohemian restaurants" and that the Italian community has "studied gastronomy as a science." The author contrasts the pleasure-seeking nature of San Franciscans with the more restrained dining habits elsewhere, noting that the city's restaurants specialize in "some particular dish, or some peculiar mode of preparation." He also highlights the artistic heritage of the neighborhood, mentioning that "many of them began their careers which led to fame and fortune in little cheap rooms on Telegraph Hill," and names Bret Harte, Mark Twain, and several painters as having lived there. This intertwining of food, art, and everyday life forms the core of Edwords' bohemian ideal.

Recipes as Cultural Artifacts

While the book promises recipes, the excerpts reveal that Edwords is equally interested in the stories behind them. When a chef on North Beach is asked how he cooks crab, he replies simply: "The right way." This anecdote encapsulates Edwords' approach: he aims to convey not just ingredients but the attitude and tradition that produce a dish. The author emphasizes that Italian mothers brought "the knowledge of cookery" from their native land to care for their children, and that this domestic knowledge has been "handed down through generations of Latina since the days of early Roman empire." The recipes, then, are presented as living links to a cultural past, not mere instructions.

A Personal and Unapologetic Voice

Edwords' narrative voice is distinctive: opinionated, self-aware, and occasionally defensive. He states, "We are pleased only with that which pleases us, and not that with which others say we ought to be pleased," and acknowledges this might sound "egotistical." His dedication is to his wife, whom he calls "The Best Of All Bohemian Comrades." The foreword frames the book as a personal project, the result of "many years" of gathering information. This subjective stance extends to his descriptions of the Italian quarter, which he calls "appealing, enticing and hypnotizing." He does not pretend to be objective; instead, he invites readers to share his perspective and discover why "San Francisco is a bohemian city."

Wine, Children, and the Sights of the Quarter

Edwords' observations are often vivid and concrete. He describes a wine press on Telegraph Hill where grapes are trodden by a man who "washes his feet before he gets into the wine tub," adding wryly, "it is not a pleasant thing to contemplate." He notes the "reckless profusion" of children, remarking that "Italian fecundity is apparent everywhere." These details ground the book in a specific time and place, offering a sensory portrait of the neighborhood. The author uses these sights to argue that the bohemian spirit "enters into our very lives, and our minds are broadened." The physical environment—the steep slopes, the basement wine presses, the crowded streets—becomes evidence for his larger claims about the city's character.

Edwords' guide is best approached as a period piece that blends restaurant recommendations with cultural commentary. Readers interested in early 20th-century San Francisco, the history of Italian-American cuisine, or the concept of bohemianism will find rich material. The recipes are embedded in a larger argument about how food shapes a city's identity. Treat the author's strong opinions as part of the historical record rather than as definitive judgments.

Reading Bohemian San Francisco, I kept thinking how meals then carried more than flavor—they held a quiet sense of place. That same lingering feeling came back with Kitchen Tested Recipes from Canned Foods — Key Ideas to Explore, oddly enough. It made the pantry feel less ordinary, more like a small adventure waiting in familiar tins. Funny how simple things can leave that kind of warmth.

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