Favorite Dishes : a Columbian Autograph Souvenir Cookery Book — Key Ideas to Explore

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In Category - Home Economics
Shuman, Carrie V. Project Gutenberg 2004 Not confirmed
Cooking, American Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 43,922
Reading time 191 min
Text sections 5

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A 1893 cookbook compiled by Carrie V. Shuman, featuring over 300 autograph recipes and 23 portraits contributed by the Board of Lady Managers of the World's Columbian Exposition, offering a snapshot of American domestic cookery and women's networks at the turn of the century.
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Editorial Edition Score 4.7/5

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This volume collects over three hundred autograph recipes contributed by the Board of Lady Managers of the World's Columbian Exposition, along with twenty-three portraits. Compiled by Carrie V. Shuman in 1893, it was conceived as a fundraising tool to help women cover travel expenses to the Exposition. The recipes are attributed to individual contributors, each identified by state and official title, lending the collection a documentary character as much as a culinary one.

The excerpts reveal a strong emphasis on pickling and preserving—cabbage pickle, picalilly, chow-chow, spiced gooseberries—using precise ratios of sugar, vinegar, and spices. The instructions are methodical, often specifying multiple days of brining or draining. The tone is practical and confident, with occasional personal asides, such as the note that spiced gooseberries can be adapted by putting the fruit through a colander.

Preserving as a Domestic Art

The recipes for pickles and preserves dominate the excerpts, reflecting a kitchen culture centered on extending the life of seasonal produce. The cabbage pickle from Mrs. Carrington Mason of Tennessee requires a three-day brine, a six-hour fresh-water soak, and a final scalding with turmeric in a muslin bag. The chow-chow from Mrs. H.K. Ingram of Florida calls for chopping vegetables or running them through a sausage grinder, then draining in a thin bag for twelve hours. These processes are labor-intensive and demand careful timing.

The spiced gooseberry recipe from Mrs. Amey M. Starkweather of Rhode Island offers two versions—one yielding nine pounds of fruit, another for four quarts—showing an awareness of household scale. The instruction to bottle immediately before it cools suggests a concern for proper sealing. Across these recipes, the repeated use of muslin bags for spices, stone jars for layering, and glass jars for final storage indicates a standardized preservation toolkit.

The Social Architecture of the Recipe Book

Each recipe is signed with the contributor's name, state, and official role—such as “Lady Manager” or “Alternate Lady Manager.” This framing turns the cookbook into a directory of women involved in the Exposition's Women's Department. The compiler's preface notes that the contributors' prompt responses bring them together “as the exponents of the Art of Cookery,” positioning domestic skill as a shared credential.

The inclusion of portraits further personalizes the collection. The recipes themselves are not merely instructions but autographs—personal endorsements of a particular method. The tea section, attributed to no single contributor, offers general advice on equipment and technique, including the use of a “teaball” for five o'clock tea. This blend of signed recipes and unsigned editorial content creates a layered authorship, where individual expertise and collective authority coexist.

Precision and Variation in Ingredient Ratios

The recipes consistently specify exact weights and measures: five pounds of sugar to nine pounds of gooseberries, one and a half pounds of sugar to one peck of green tomatoes, ten pounds of peaches to five pounds of sugar. Spices are measured by the tablespoon or ounce, and often combined in muslin bags for easy removal. The mustard chow-chow from Mrs. Alice B. Castleman of Kentucky calls for a half-pound box of Coleman's mustard, a branded ingredient that signals both precision and availability.

Yet variation is also present. The spiced gooseberry recipe offers two sets of proportions, and the cabbage pickle includes a note that turmeric should be added in a thin muslin bag—a detail that affects both flavor and color. The picalilly from Mrs. Ella Ray Miller of Idaho uses whole spices in bags, while other recipes use ground spices. These differences suggest that contributors adapted methods to local preferences or available ingredients, making the collection a record of regional variation within a national framework.

Readers approaching this cookbook should attend to the tension between uniformity and individuality: the recipes share a common structure of ingredients and steps, yet each bears the signature of a specific woman from a specific state. The book can be read as a network of domestic expertise, where pickling and preserving serve as both practical skills and social currency. The excerpts offer only a partial view—primarily pickles and preserves—so the full range of dishes remains to be discovered.

That rainy afternoon, I kept returning to the 1893 Favorite Dishes, its autograph recipes whispering of another century’s kitchens. The smallness of their portions — cups, not quarts — felt intimate. Later, almost without thinking, I pulled down Miss Parloa’s guide: Miss Parloa's Young Housekeeper Designed Especially to Aid Beginners; Economical Receipts for Those Who Are Cooking for Two or Three — A Reader’s Guide. It was like overhearing a quiet, practical aunt answer the question nobody had quite asked aloud.

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