Fifty soups — Reading Companion

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In Category - Home Economics
Murrey, Thomas J. (Thomas Jefferson), 1844?-1900 Project Gutenberg 2008 Not confirmed
Cooking; Soups Readers of public-domain and historical texts
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Words 10,547
Reading time 46 min
Text sections 2

The catalog record for Fifty soups — Reading Companion provides practical reading context through 10,547 words, 46 min estimated reading time, and 2 detected text sections.

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Thomas J. Murrey's 1884 collection of fifty soup recipes, organized by type, with practical advice on matching soups to menus. The opening remarks classify soups into clear, thick, purées, and chowders, while recipes like Mulligatawny and Oxtail Soup show precise seasoning and finishing techniques.
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+------------------------------------------------------------+ | Transcriber's Note: | | | | Obvious typographical errors have been corrected in | | this text. For a complete list, please see the bottom of | | this document. | +------------------------------------------------------------+

_Formerly professional caterer of the Continental Hotel, Philadelphia, Astor House, New York, and other leading hotels. Author of "Salads and Sauces," "Valuable Cooking Recipes," etc._

NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS

COPYRIGHT, 1884 BY WHITE, STOKES, & ALLEN.

CHICKEN SOUP, NO. 2, 18

CROUTONS FOR SOUP, 11

GREEN TURTLE SOUP, 23

LOBSTER, BISQUE OF, 14

MULLIGATAWNY SOUP, 29

PEA SOUP, ECONOMICAL, 32

Soups, like salads, present an excellent opportunity for the cook to display good taste and judgment.

The great difficulty lies in selecting the most appropriate soup for each particular occasion; it would be well to first select your bill of fare, after which decide upon the soup.

The season, and force of circumstances, may compel you to decide upon a heavy fish, such as salmon, trout, or other oleaginous fishes, and heavy joints and entrées.

Under these circumstances it must necessarily follow that a light soup should begin the dinner, and _vice versa_; for large parties, one light and one heavy soup is always in order.

There is as much art in arranging a bill of fare and harmonizing the peculiarities of the various dishes, as there is in preparing the colors for a painting; the soup represents the pivot upon which harmony depends.

Soups may be divided into four classes: clear, thick, purées or bisques, and chowders. A purée is made by rubbing the cooked ingredients through a fine sieve; an ordinary thick soup is made by adding various thickening ingredients to the soup stock; clear soups are, properly speaking, the juices of meats, served in a convenient and appetizing form.

Chowders are quite distinct from the foregoing, being compounds of an infinite variety of fish, flesh, fowl, or vegetables, in proportions to suit the fluctuating ideas of the cook; the object sought is to prepare a thick, highly seasoned compound, without reducing the ingredients to the consistency of a purée.

SOUP STOCK.--The word stock when used in cooking means the foundation or basis upon which soups and sauces depend; it is therefore the most important part of soup making. Care should be exercised that nothing in the least tainted or decayed enters the stock pot; it is very desirable that soup stock be prepared a day or two before it is wanted; the seasoning should be added in moderation at first, as it is difficult to restore a soup that has been damaged by over seasoning.

Milk or cream should be boiled and strained and added hot when intended for soups; when eggs are used beat them thoroughly, and add while the soup is hot. Should they be added when the soup is boiling, they are very apt to separate, and give the soup the appearance of having curdled; the best plan is to beat up the egg with a little of the warm soup, then add it to the soup gradually.

In summer, soup stock should be boiled from day to day, if kept any length of time, else it may become sour: should this happen, add a piece of charcoal to the soup, boil, cool, and strain into freshly scalded earthen or porcelain-lined ware. On no account allow the soup stock to become cold in an iron pot or saucepan.

TO MAKE BEEF STOCK.--Take six pounds of soup meat, cut it up into good sized pieces, break the bones into small pieces, place them in the stock pot, and add five quarts of cold water and two ounces of salt; boil slowly for five hours, remove the scum as fast as it rises; cut up three white turnips and three carrots, add these to the soup with two stalks of celery, one large onion quartered, six cloves, teaspoonful of whole peppers, and a small bunch of herbs.

Thomas J. Murrey, a professional caterer who worked at the Continental Hotel in Philadelphia and the Astor House in New York, opens Fifty Soups with a classification system that divides soups into four categories: clear, thick, purées or bisques, and chowders. He argues that selecting the right soup depends on the rest of the menu—light soups for heavy dinners and vice versa—and that the soup is "the pivot upon which harmony depends." This structural approach, rather than a simple list of recipes, sets the tone for the book.

The excerpts show that Murrey expects the cook to already know basic techniques like making stock and browning flour. Recipes such as Mulligatawny Soup and Oxtail Soup include detailed steps for frying vegetables, simmering bones, and adjusting seasoning with Worcestershire sauce, wine, or lemon. The book's eighth edition suggests it found an audience among cooks who valued both method and variety.

Classifying Soups by Menu and Season

Murrey's opening remarks establish a principle that guides the entire collection: the soup must suit the occasion. He advises readers to first plan the full bill of fare, then choose a soup that balances the meal. For large parties, he recommends serving both a light and a heavy soup. This emphasis on harmony—comparing the arrangement of dishes to preparing colors for a painting—shows that Murrey views soup not as a standalone course but as part of a coordinated dining experience.

The four-class system (clear, thick, purées or bisques, and chowders) gives the cook a framework for understanding the recipes that follow. Clear soups are "the juices of meats, served in a convenient and appetizing form," while chowders are distinct compounds that avoid being reduced to a purée. By defining these categories upfront, Murrey helps the reader navigate the fifty recipes with a sense of purpose.

Technique in the Recipes: Stock, Thickening, and Seasoning

The recipes assume a working knowledge of basic kitchen skills. For example, the Oxtail Soup recipe instructs the cook to fry oxtail joints in butter, then slice and fry onions, turnip, carrots, and celery in the same fat before adding stock. The soup is thickened with browned flour, a technique also used in the Mock Turtle Soup recipe, where three ounces of browned flour are mixed with a pint of soup and simmered until it thickens.

Seasoning is precise and layered. In Mulligatawny Soup, curry powder is mixed with a half pint of stock before being added to the main pot, and the cook is told to "taste for seasoning" after adding the curry. Oxtail Soup calls for a bouquet of herbs, two bay-leaves, crushed whole peppers, cloves, and a finishing touch of Worcestershire sauce and sherry. These details reveal a cook who expects the reader to adjust flavors rather than follow a rigid formula.

The Role of Wine, Lemon, and Finishing Touches

Several recipes include wine or lemon as a final addition, often with a note about warming the wine or adding it just before serving. In Mock Turtle Soup, a gobletful of port or sherry is warmed "a very little" before being stirred in, along with sliced lemons. The Mulligatawny recipe mentions that some like wine, "but these are the exception and not the rule," and instead adds half a slice of lemon to each portion.

Lemon appears in other contexts as well: the Oxtail Soup recipe does not call for lemon, but the Mock Turtle uses lemon rind grated into the stock. The Oyster Soup recipe warns not to let the soup boil again after adding the oysters, as heat will contract them. These small instructions—warming wine, parboiling rice, wetting the pan to prevent milk from scorching—show Murrey's attention to the moments that can make or break a soup.

Variations and Substitutions as a Core Principle

Murrey often suggests substitutions within a recipe, encouraging the cook to adapt. After the Mutton Broth recipe, he writes: "Substitute a knuckle of veal for mutton, and you will have an excellent veal broth." This simple swap implies that the method—cutting meat, simmering with vegetables, skimming scum—can be applied to different proteins. Similarly, the recipe for Cream of Rice is listed alongside Cream Soup, and the contents page shows multiple chicken soup entries (Chicken Soup and Chicken Soup, no. 2), indicating that the cook can choose between variations.

The book's structure, with fifty distinct recipes but shared techniques, reinforces this idea. A reader who masters the basic stock and thickening methods can then experiment with the specific ingredients—artichoke, chestnut, clam, or rabbit—that Murrey includes. The eighth edition's longevity suggests that this flexible approach appealed to home cooks and professional caterers alike.

Reading Fifty Soups from start to finish reveals a methodical mind at work. Murrey does not simply list ingredients; he teaches a system of balancing flavors, adjusting for season, and substituting ingredients. The excerpts show a cook who trusts the reader to taste and adjust, whether by adding more curry powder or choosing between wine and lemon. For a first reading, pay attention to the opening classification and the recurring techniques—browned flour, fried vegetables, careful skimming—that tie the fifty recipes together. The book rewards a cook who reads it as a manual, not just a collection.

Leafing through Murrey's precise oxtail and mulligatawny instructions, I felt that steady, patient hand guiding each pot. It reminded me of another volume, one brimming with familiar warmth and measured steps for dumplings and roasts, sitting quietly on my shelf. The Art of German Cooking and Baking Revised and Enlarged Edition — Reading Companion holds that same reassuring clarity, as if an old friend were simply talking me through the flour and broth.

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